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Furthermore, dealing with the problem where the agent can find amusement, or excitement from games that promotes unjustified violence. The common genre of this style game is recognized as the open-sandbox. This is where the player is given the freedom to do whatever they desire, and have no major regulating system to oppose their actions. These games offer the player to ignore the primary story of the game, and play mainly for the goal to achieve their personal amusement. The player’s amusement is often fulfilled through the means of unjustified violence. However, DJ would defend that the emotional feeling of excitement is not wrong, rather it remains fitting (65). Whereas Taylor would emphasize that the player’s excitement is wrongful,†¦show more content†¦Firstly, this is because of the absurdity of actions that can be performed in those worlds, whereas the player themselves know they would/could not reenact those events as freely. Secondly, the player entert aining the reality of a fictional/make belief world is their desire to participate in a non-consequential form of freedom. This is to emphasize that there are no â€Å"moral risks† to the player’s excitement (78). The Grand Theft Auto series (and many like it) are recognized for causing excitement, because it is a form of freedom that bares no consequences to the player. In effect, this is because the player’s intention of entertaining morally deviant actions is their subjective way of a safely (if not, one of the safest ways) to generate amusement in their lives. This is because video games don t have repercussions on the player(s). Therefore, because game only involves the player(s), and because no one is harmed during their violent amusements, this would mean the size of the moral deviance is miniscule. Consequently, it is acceptable for unjustified violence in video games to be fitting, because of the size, and shape it is projected in. However, Taylor would then argue that our feelings of amusement caused from make-belief/fiction remains immoral. Problematically, Taylor would assert, if we continue to feel an emotional pleasure because of any violence (or misfortune), then the emotions caused by make-belief/fiction continues to beShow MoreRelated J. R. R. Tolkien Essay1509 Words   |  7 Pagesreturn to England. His father however was also suppose to return to England with them within the next few months, but while he waited in South Africa he caught rheumatic fever and soon died. This left the grieving family with a very limited income. (W. J. Rayment, A Bio) nbsp;nbsp;nbsp;nbsp;nbsp;By now Tolkien was showing great interest in languages and had developed remarkable skills with them. He had already mastered Latin and Greek, and was already making up languages on his own. So, naturallyRead MoreThe Hobbit By J. R. Tolkien703 Words   |  3 PagesPeople like stories that contain much action and adventure. 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Tolkien’s main character Bilbo in â€Å"The Hobbit† shows the theme of becoming a hero by gaining courage and confidence as the story progresses. During the beginning of â€Å"The Hobbit† Bilbo likes to stay to himself in his hobbit hole. We see that he is alsoRead MoreThe Story of J.J.R Tolkien700 Words   |  3 PagesTolkien was always writing some type of interesting writings. They were often conceived with a fantasy as a profound or powerful form at literature with intense philosophical and spiritual meaning, serious purposes, and eternal appeal.† 4.Tolkien, J. R. R., Mary Salu, and Robert T. Farrell. J.R.R. Tolkien, Scholar and Storyteller: Essays in Memoriam. Ithaca, NY: Cornell UP, 1979. Print. â€Å"He was very much aware of the present as it relates to the past. And his past affects his work that it has fashionedRead More Heroism, Magic and Retribution in Lord of the Rings and The Hobbit2202 Words   |  9 PagesRings as Myth. Unpublished thesis. The University of Georgia, Athens, GA, 1974. Tolkien, J. R. R. The Hobbit. New York: Ballantine Books, 1993. Tolkien, J. R. R. The Lord of the Rings. New York: Ballantine Books, 1997. Tyler, J.E.A. The Tolkien Companion. New York: St. Martins Press, 1976. Urang, Gunnar. J. R. R. Tolkien: Fantasy and the Phenomenology of Hope Fantasy in the Writing of J. R. R. Tolkien. United Press, 1971 Wood, Ralph C. Traveling the one road: The Lord of the RingsRead MoreEssay on Newfound Popularity of Books From the 1900s558 Words   |  3 PagesWinnie–The–Pooh, and Mein Kampf. But why weren’t they bestsellers if so loved now? Many critics say that The Lord of The Rings set the standard for all epic fantasy books written since it was published. This marvelous trilogy was published in 1954, after J. R. R. Tolkien, the author of this fantastic series, took 10 years to write it. Yet, Tolkien never expected his books to be such a success worldwide, even though the book her wrote right before, The Hobbit, was a major success. The Hobbit was originally